Louise Bourgeois and Tracey Emin, Deep inside my heart, 2009-10
Artists collaborating is hardly unusual. And, as the last few posts have shown, artists copy what’s gone before on a regular basis. And occasionally they go so far as to take someone else’s work and change it, like the Chapman brothers did when making Insult to Injury or like Robert Rauschenberg did, albeit with Willem de Kooning’s permission, when he rubbed out a drawing to make Erased de Kooning (1953). When Tracey Emin worked on top of a series of paintings by Louise Bouregois, she did so at Bourgeois’s behest, the two artists having met some years earlier and been in regular contact since; though Bourgeois wasn’t generally interested in collaborations, the two artists had shared preoccupations giving the idea of a joint work a certain appeal. As a collaboration what perhaps made this unusual was that Emin had the paintings for more than a year before deciding how to proceed. Do Not Abandon Me, the series of prints made from these images, was to be one of Bourgeois’s last works; although Bourgeois saw Emin’s additions – and was delighted with them – the work was not shown until after her death.