As of Wednesday, analogue telly is a thing of the past. Well okay, it’s clinging on for a few more months in a couple of parts of the country, but for most of us in the UK old tellies either need to be attached to a digibox or it’s all over. At Ambika P3, David Hall’s End Piece … exhibition (part of which I wrote about here a week or two ago) is a fitting way to mark its passing. The centrepiece of the exhibition is the extraordinary, descriptively titled installation 1001 TV Sets (End Piece). With the analogue switchoff on Wednesday the work went from being a bewildering jumble of images with a cacophonous soundtrack to 1001 different types of snow. The sound is still loud but it’s a constant static now rather than the chaos of five competing television channels.
Ceal Floyer, Overhead Projection, 2006
The relationship between art and technology is a long and complex one and not something I want to explore in any depth today. In these works the means of production is there for all to see so I’ll use the simplicity of the work as a space for contemplation of the possibilities offered by low technology, in this case the humble overhead projector.
Drawing and looking are inextricably linked but just as there is more than one way to draw there is more that one way to look. If the aim is to get as close as possible to recording what something looks like, a camera will generally do a better job but drawing can bring something extra to the equation. It might be about making a representation that’s more expressive, or one that offers multiple viewpoints simultaneously or a version of how something feels for instance.