Ai Weiwei, Remembering, 2009
It’s possible for text to become meaningless shapes when we’re too close to it, especially if it’s written in an unfamiliar script. At first glance, maybe even to those who read Mandarin, the colourful wall of the Haus der Kunst Museum in Munich which faced visitors to Ai Weiwei’s 2009 exhibition So Sorry, might have seemed more like a cheerful pattern rather than the poignant words of a grieving mother. The colour palette of red, yellow, green and blue is more redolent of children’s books than works of art and certainly doesn’t immediately suggest a memorial. Look closer and it’s clear that the building blocks of the banner are brightly coloured backpacks, the sort that children often use as school bags. But this is a work that needs an explanation.