It’s who you know

Peter Davies, The Hot One Hundred, 1997

You can learn a lot from looking at art.

Reading a Peter Davies painting is a bit like looking at someone else’s bookshelves or CD collection: a sneaky insight into their taste or knowledge. The Hot One Hundred tells me what art Davies rates; it feels like quite a random hierarchy but every time I look at the painting it reminds me about an artist or a piece of work I’ve forgotten about and Davies’s  descriptions of the work always makes me smile. Emma Kay’s The Story of Art – a list of every artist and art movement Kay can remember, made in 2003 for Tate Modern’s Contemporary Interventions series – has something of the same feel though it’s not as nice to look at.

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