Lee Krasner, Untitled, 1948
After I came back from a trip to New York with students in the spring I wrote a lot here about the art I saw in galleries there. One thing that I didn’t write about at the time was a small painting I saw at the Metropolitan Museum; the relevant page on the Met’s website has been open in a browser tab on my laptop ever since I think, but it was seeing Mel Brimfield’s Clement Greenberg – Lee Krasner = Jackson Pollock that brought Lee Krasner’s painting back to mind. Though Krasner’s career was played out in the shadow of that of her husband Jackson Pollock, her contribution to twentieth century American modernism, and to abstract expressionist painting in particular, was considerable. Unlike Pollock’s action paintings, this work is modest in scale 76.2 x 63.5 cm to Autumn Rhythm‘s 266.7 x 525.8cm and the painting seems to me to be much more about the outcome than the performance of making it.