Floating islands

Yutaka Sone Venezia 2013

Yutaka Sone, Venezia, 2013

Though I’d seen Yutaka Sone’s work before and found it fascinating, the work in his show at David Zwirner interested me more not just for the extraordinary accuracy of the marble cityscapes but for the places they represent. I think the only carved marble work by Sone I’d seen in real life before is Highway Junction 105-110 which depict freeway intersections in Los Angeles, a city I’ve never visited and only really know from films. The works felt a bit like architectural models, albeit it unexpectedly made of white marble. Here the cities are Venice, New York and Hong Kong. Admittedly I’ve only been to Hong Kong once, very briefly and a long time ago but the other two are cities I know well.

Sone has mapped the territory in incredible detail using methods as diverse as aerial surveillance and Google earth to gain as exact an understanding of the cityscape as possible before it is carved by hand into the marble.

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Spots before the eyes

The world – well Gagosian Gallery, anyway – has gone dotty for Damien Hirst’s spot paintings. In an unprecedented move, Gagosian is showing a single artist across all its sites, and not just a single artist but a single strand of that artist’s work. The Complete Spot Pantings 1986-2011 is on now at all 11 Gagosian spaces globally. Why? What’s it all about?

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