Floating islands

Yutaka Sone Venezia 2013

Yutaka Sone, Venezia, 2013

Though I’d seen Yutaka Sone’s work before and found it fascinating, the work in his show at David Zwirner interested me more not just for the extraordinary accuracy of the marble cityscapes but for the places they represent. I think the only carved marble work by Sone I’d seen in real life before is Highway Junction 105-110 which depict freeway intersections in Los Angeles, a city I’ve never visited and only really know from films. The works felt a bit like architectural models, albeit it unexpectedly made of white marble. Here the cities are Venice, New York and Hong Kong. Admittedly I’ve only been to Hong Kong once, very briefly and a long time ago but the other two are cities I know well.

Sone has mapped the territory in incredible detail using methods as diverse as aerial surveillance and Google earth to gain as exact an understanding of the cityscape as possible before it is carved by hand into the marble.

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New York stories: walking the line

Joel Sternfeld, Looking South at 27th Street, September 2000 from Walking the High Line, 2002

Most cities have their forgotten spaces, but it still somehow surprises me that the High Line, the elevated railway that carried goods through Manhattan from the 1930s until 1980 was allowed to decay for more than two decades in a city where space is at such a premium. Thanks to a campaign by New Yorkers eager to see the derelict tracks reborn as a park the future of the High Line as a public space now seems secure.

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