Susan Collis, The Oyster’s Our World, 2004
A stepladder. Every gallery should have one, of course. And every studio. And, come to that, every home. So what makes a stepladder worth writing about? Well, of course, you can analyse anything really if you set your mind to it. In the case of this stepladder, the signs are there. The traces of paint suggest it’s reasonably well used but it’s not completely covered in paint the way it would be if constantly in use for decorating. As a gallery step ladder, the odd bit of white paint is to be expected but it’s quite likely that it’s often in use for hanging work so a bit painty but not too painty makes perfect sense.
But why wouldn’t the gallery clear the ladder away when it’s not in use? That’s the question. And of course, it’s a question that makes it worth taking a closer look.