A simple visual link brings me somewhat unexpectedly from William Wegman to Edward Ruscha, not artists I’ve ever really thought of as in any way connected before. Admittedly, it’s a fairly tenuous connection but it was Wegman’s Spring that brought Ruscha’s Dog back to mind. There are the obvious similarities of dogness and wispy straw like stuff and the colour palette is fairly similar. And of course, as even vaguely regular readers of this blog will be aware, I’m not one to shy away from a link purely on account of its tenuousness. Plus, importantly, I really like Ed Ruscha’s work. Not that pieces like Dog are generally the works that come to mind when I think of Ruscha (which conveniently means he’s likely to crop up in another post sometime soon).
Paula Rego, Pregnant Rabbit Telling Her Parents, 1982
As the cliché has it, a picture paints a thousand words. I’m not sure how often that’s actually true – if ever – but Paula Rego certainly gives it a good go. There is frequently a personal element to the stories she tells though for me the pleasure more often comes from setting the background aside and letting the image do the talking. Casting animals in the roles of her protagonists mean that Rego’s stories often make me smile. In this respect a particular favourite is Pregnant Rabbit Telling Her Parents. Actual rabbits of course must spend a good deal of time pregnant, so their parents would be unsurprised by the news the painting’s title character is breaking – indeed Rabbit has a somewhat brazen, what of it look about her – but actual rabbits would also have rabbits as parents. In the world of Paula Rego that would be far too easy.