However one feels about Margaret Thatcher – and regular readers may by now suspect I’m not a fan – the ceremonial funeral seems like a contentious decision at the very least. Add to that the fact that it’s been discussed in the media as following the model of the funerals of Daina, Princess of Wales and the Queen Mother and it becomes easy to see Thatcher as receiving the royal status she seemed to award her self when she announced “we have become a grandmother.” Which, to my mind at least, makes this a good day to write about Maggie Regina, Peter Kennard’s 1983 depiction of Margaret Thatcher as Queen Victoria.
Bob Light and John Houston, Gone With The Wind, 1982
Artists and designers reuse existing images all the time; think collage, think appropriation. And there’s a long tradition of photomontage as a way to make a political point with a powerful visual simplicity that I fully expect to write about further in a later post. IN reworking of the poster for Gone With The Wind for the Socialist Worker, Bob Light and John Houston brought together an iconic film poster (Reagan, after all, had a former career in Hollywood, albeit as very much a B movie actor; he was certainly no Clark Gable) with the politics of the 1980s with both humour and a serious intent.
Krzysztof Wodiczko, City Projections – Nelson’s Column, 1985
Commissioned to make a projection onto Nelson’s Column in Trafalgar Sqaure for two nights in 1985, Krzysztof Wodiczko focused on the military aspects of the square and decided to project an image of a missile wrapped in barbed wire. But while in London for the event, Wodiczko realised that the square, as home of South Africa House, also played host to a longterm protest against the apartheid regime still very much in charge of South Africa and supported by then British Prime Minister, Margaret Thatcher.
Redirecting his projector, Wodiczko changed the image…