Koki Tanaka, installation view of exhibition in Japan Pavilion, Venice Biennale, 2013
One of the frustrations of art fairs, biennales and the like is the intense time pressure of trying to see everything you want to see in a day (or contemplate buying another ticket to go back, an unappealing option even if one has an extra day free to make it possible), making video and performance works really tricky. On the plus side, the excuse to have a bit of a sit down is often welcome so it’s not all bad. Certainly at last year’s Venice Biennale some of the works I enjoyed the most were time based including a number I really wanted to go back and spend more time with given the chance (didn’t really happen in the case of the things I most wanted to revisit, unfortunately, but that’s the way it goes really). I’ll write more about some of the works that have stayed with me most clearly in the coming days, I hope, but I’ll start with a show that mixed video and objects in a space that still bore the traces of the previous year’s architecture biennale. None of which is what interests me most about the work.