Gerhard Richter, Detail (Red-blue), 1970
The relationship between painting and photography lies at the heart of Gerhard Richter’s practice, from paintings made from found photographs to photographs of paintings made from, yes, photographs, this is territory Richter has explored more thoroughly and from more directions than perhaps any other artist. The Detail paintings, started in 1970, explore the nature of painting and the way in which we so often experience the complexity of the painted surface rendered smooth as a photographic surface. In these paintings, Richter has taken small details from paintings made with a heavy impasto and reproduced these, massively enlarged, as smooth painted surfaces. In Detail (Red-blue) a small area of heavily textured paint is represented as a three metre wide painting.