Ai Weiwei, Bang, 2013 (installation in the German Pavilion at the 55th Venice Biennale)
The first thing that confused me about the German Pavilion at last year’s Venice Biennale was that it was in France. Well, not France the actual country, but in France’s pavilion: the two countries swapped buildings for the 55th Venice Biennale as a cultural exchange. Walking into the building the first work on show – in a large central space that generally dictates the tone of anything shown there – was Bang, an installation made of an exploding forest of wooden three-legged stools by the not even a bit German artist (and subject of my last couple of posts) Ai Weiwei. What did it all mean?