World turned upside down

Zoe Leonard, Arkwright Road, 2012

Given my recent preoccupation with work that transforms the space its shown in, making us focus on the gallery in a new way, it’s really about time I wrote about Observation Point, Zoe Leonard’s exhibition at Camden Arts Centre. Doubtless I would have written about this sooner, but I kept forgetting to go and see it; I love Camden Arts Centre and it’s really easy to get to for me but somehow those two facts seem to conspire to make me miss show after show there. Thankfully, this is one I didn’t miss.

Pretty much the only thing I knew about the exhibition before hand was that Leonard had turned one of the gallery spaces into a camera obscura. I was slightly worried that making my visit during a late night opening might prove to be a mistake but though the space – and the projected image of the road outside – was dim, it was nonetheless fascinating. Despite the work taking its title from the road the gallery is on, the lens points not at Arkwright Road but at the relentlessly busy Finchley Road to the side of the building. The traffic is constant but the skyline is also arresting with a large crane stretching from the wall onto the floor and across the space.

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What would you choose?

Komar and Melamid, USA’s Most Wanted, 1994-5 (dishwasher sized)

In a world increasingly driven by surveys and focus groups, what happens when market research meets art? In 1995, commissioned by the Dia Center for the Arts as its second artists’ project for the web, Vitaly Komar and Alex Melamid decided to find out. The results make for entertaining, yet predictably depressing, viewing

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