Bruce Nauman, Dance or Exercise on the Perimeter of a Square, 1967-68
‘If I was an artist and I was in the studio, then whatever I was doing in the studio must be art.’ – Bruce Nauman in conversation with Ian Wallace and Russell Keziere, Vanguard, Vol. 8 #1, 1979
In the late 1960s and the 1970s, when moving image was making its way into the gallery in a big way as 16mm film started to be replaced by video, they often took a pretty descriptive approach to titling work. Bruce Nauman’s film and video works of that period – a number of which are on show in the North Gallery of White Cube Bermondsey at the moment as part of the Inside the White Cube programme – are simply made and descriptively titled and driven by Nauman’s assertion that as an artist, everything he made in the studio must surely be art; an argument that works well enough for Nauman himself but one which is immediately undermined by the collection of Damien Hirst paintings on display here in the South Galleries, which I wrote about yesterday.