Obvious entrapment

Chiharu Shiota, After the Dream, 2009

The idea of entrapment in a web is one it’s hard to explore without establishing more than a passing relationship with cliché. Though Alice Anderson’s anarchic loop of tangled dolls’ hair won me round – mainly by its refusal to stay contained within the gallery – sadly Chiharu Shiota’s After the Dream just doesn’t quite do it for me. Though I like the way Shiota uses thread to confuse my understanding of the space, I’m less taken with the entrapment of the white dresses within the web of thread. There is, arguably, the suggestion of spectral figures but really the reference of wedding dresses trapped within a web that might surprise even Miss Havisham seems that bit too obvious.

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