GALA Committee, Safety Sheets, 1996

The television interventions of the likes of Hall, Arnatt and Burden are things I always tend to think wouldn’t happen now, or at least not on mainstream television. But there’s this nagging doubt that say, but if those things aren’t possible, how did art – and pretty subversive art at that – sneak its way into Melrose Place (yes, Melrose Place, an Aaron Spelling production) as recently as the mid to late 1990s? It doesn’t sound likely. And yet, it happened.

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