Vivid goddesses

 

Madame Yevonde, Mrs Donald Ross as Europa, 1935

Something about the colour and the relationship between portrait and object in Urs Fischer’s Problem Paintings reminded me about Madame Yevonde’s Goddesses, a series of portraits of society women posing as figures from classical mythology made in the 1930s using the short-lived Vivex colour system. I’ll be honest, I have no clear idea what the Vivex system was but quick google suggests it involved separate plate negatives for cyan, yellow and magenta – which means it can’t have been easy to work with, especially given exposure times of a few seconds – and that Madame Yevonde used some sort of automated camera back to expose the three plates in succession. All the faff was clearly worth it though as the results are stunning.

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