Damien Hirst, The Battle Between Good and Evil, 2007
Without wishing to seem obsessed with either Damien Hirst, the titling of work or the programme at White Cube’s Bermondsey space, having written about Hirst’s paintings (terrible) and Nauman’s films (great) the completist in me thinks it worth writing about Hirst’s installation in 9 x 9 x 9, the final gallery space in the Bermondsey building.
The work takes the form of two beach balls – one black, one white – floating above a black and white square basis, held aloft presumably by a fan within the base. This is a playful work but my enjoyment of it was offset by wondering firstly how it would look in colours that said beach ball more assertively and secondly by wondering how it would look all in white. As it happens, on both counts, Google is my friend here.