Damien Hirst, For the Love of God, 2007
The Damien Hirst exhibition at Tate Modern offers both a welcome(ish) chance to revisit Hirst’s early work and be reminded that he did start out by making some genuinely challenging and interesting work and a less welcome opportunity to see some of the most extreme art bling one is ever likely to encounter. Most obviously, there’s that skull. For the Love of God has generated so much press it’s not really possible to be all that surprised by it. Nonetheless, it’s a strange experience.