Gregory Crewdson, Untitled (Bus Fire), 2002 (from the series Twilight)
Given the cinematic feeling of Philip-Lorca diCorcia’s Hollywood series, it seems like a good time to look at Gregory Crewdson’s representations of American suburbia, a place that feels oddly familiar from films. In Crewdson’s suburbs, all is not well. The detached houses and neat front lawns might suggest otherwise but these are places where dystopian nightmares are more likely to be played out than the American dream. Of course, this is also familiar from the movies – think Blue Velvet – it’s just that here we have to fill in the gaps ourselves rather than watching the dream unravel on screen.