False pretences

Maurizio Cattelan, Untitled (Denunzia), 1991

The idea of presenting an existing document as art – the essence of Keith Arnatt’s Notes from Jo – is something used in a very different way by Maurizio Cattelan. In this case the actual document is presented rather than a photograph; given that the document in question is a police report this seems like an important element of the work. This is a work that is all about the narrative it represents: in 1991, faced with not having produced the work for a forthcoming exhibition, Cattelan went to the police and reported the theft of an invisible artwork. He then presented the police report in the exhibition.

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