One of the aspects I enjoy the most when visiting New York is the city’s familiarity from film and television. No matter how often I visit – not often enough and never for long enough – the connection with the movies won’t ever completely fade. New York has played itself and pretended to be other, often imaginary, places. It’s great backdrop after all. Katia Liebmann’s 1997 series Gotham City uses New York as a backdrop to a series of masked self-portraits.
There are quicker and easier ways to take pictures. It’s not as though cameras aren’t readily available in shops. For Steven Pippin though, the process of making a picture usually starts with the process of making a camera. In itself that’s not so unusual. There are probably countless art teachers out there who have encouraged students to make pinhole cameras. Usually such undertakings begin with a box of some sort, often a biscuit tin. But that would be way too easy for Pippin.