After dark: The Night Watch

Francis Alÿs, The Nightwatch, 2004

Francis Alÿs, The Nightwatch, 2004

Encountering favourite works again by chance is always a real pleasure. My visit to the Exchange in Penzance while on holiday in Cornwall was brief but unexpectedly enjoyable. Apart from seeing the title of the show, I hadn’t really checked what was on before pitching up there (I also hadn’t checked what time the gallery closed, hence the brevity of my visit; why do I never learn?) so beyond thinking 3am: wonder, paranoia and the restless night sounded like my kind of exhibition, I arrived, as is so often the case, essentially clueless. In the main the works I liked the most were the ones I knew already but that’s hardly a problem when those works included some real favourites, especially Francis Alÿs’s The Nightwatch, seen here as a single channel video but sometimes shown as a bank of monitors. Francis Alÿs is probably one of my favourite artists (I’m fickle, it’s an ever changing list; but he’s usually on it, I would say) and The Nightwatch is one of the main reasons why.

Continue reading

Machines for living

Dan Holdsworth, Untitled (A Machine for Living), 1999

In Dan Holdsworth’s long-exposure photographs the landscape – and the structures built within it – takes on a strange other-worldly quality. This comes in the main from the effect of artificial light, which pollutes the scene giving a strange, toxic glow. Bluewater shopping centre, recorded at night in the bright glow of its own streetlights, seems far removed from the consumerist mecca we might expect.

Continue reading