I’ve written about Lygia Pape’s web installations here before, I know, but having seen her exhibition at the Serpentine Gallery last spring seeing Ttéia 1 again – albeit a slightly different, silvery, version – in the Galeria Graça Brandão space of Spotlight at Frieze Masters was a welcome chance to interact with the work in a rather different way.
Here too, the light catches the thread and makes it sparkle and standing in front of what seem to have become criss-crossing beams of light carries the same sense of enchantment. But whereas in the Serpentine Gallery the work was effectively put on a pedestal (albeit in the form of a slightly raised floor), as something to wonder at rather than interact with, here it simply criss-crosses a corner of an art fair stall.
Perhaps it’s just my preoccupation of the week (or perhaps I’m desperate to make links here, no matter how tenuous), but seeing Lygia Pape’s beautiful installation of gold thread at the Serpentine Gallery put me in mind of a forest. The space is disrupted by thread that sparkles in the space rendering it unnavigable. The thread seems to form beams of light through the darkness, like sunlight penetrating a forest. Though the whole of Magnetized Space, Lygia Pape’s installation at the Serpentine Gallery, is fascinating and though this may be the only work I’ve seen in real life before, Ttéia 1, C is definitely the highlight for me.