Every stood in the supermarket in a state of bafflement wondering which of the 2378297 (or more) different types of shampoo to buy? I know I have. Often. We are always being told that choice is good, but too much choice can be bewildering. Out shopping, especially in the supermarket, unless I fancy a change for some reason, I’m generally pretty focussed; there are definitely things I buy again and again. There’s often a lot to be said for sticking with what you know, of course, but as consumers we all need to make choices and often the sheer range of stuff on offer is overwhelming.* And, of course, when it comes to consumer goods, to a considerable extent we are what we buy. I’m thinking about getting a new phone so, with Liu Bolin firmly in my mind, this feels like a good time to distract myself from decisions by looking at Liu’s pictures.
Liu Bolin, Hiding in the City – Panda, 2012
Other than knowing that they’re very rare and eat bamboo, I know very little about pandas. But the continued survival of the panda triplets born in China in late July gives me an excuse for a long overdue post about the work of Liu Bolin, the art world’s invisible man. Liu somehow manages to paint himself into the landscape allowing himself to disappear into the city. The resulting photographs are intriguing not least for the tension between the challenge of finding the artist – not always easy – and thinking about the significance of the scene and why Liu has chosen to hide himself within it.