Get it?

 

 

David Shrigley, Those who get it

 

David Shrigley, Those who get it

Mentioning venn diagrams in passing brought David Shrigley back to mind. I’ve posted about Shrigley before at the time of his Hayward Gallery in 2012. I really like Shrigley’s work but there was a lot I didn’t like about that exhibition so coming back to it now gives me the chance to simply enjoy the preposterousness of a couple of works. I think for me the ideal way to look at Shrigley’s drawings is to idly browse his books and pick out a few pictures to enjoy in small doses; Shrigley en masse and in the more public sphere of a busy museum scale space just doesn’t do it for me.

What I like about Shrigley’s use of the venn diagram in Those who get it is the brilliant pointlessness of the whole thing. Ultimately with no explanation of what ‘it’ might be, are we all in the ‘those who don’t get it’ circle? Or maybe getting the joke is enough to put us in the ‘those who get it circle’? Before we know it, realising there is nothing to get, we find ourselves firmly at the centre of the diagram in the ‘those who are very confused’ area. Sometimes perhaps that’s exactly the right place to be.

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This exhibition does not do you justice

David Shrigley, Untitled, 2011

I like David Shrigley’s work. It makes me laugh. Why then did I approach his Hayward Gallery exhibition with a sense of dread? Well now, let’s see. Firstly, the strength of Shrigley’s work lies in its simplicity and that’s something that can get wearing when seen en masse. Secondly, the Hayward Gallery is a very big space even allowing for the fact that Shrigley is sharing it with Jeremy Deller’s Joy in People (which warrants a post of its own at the very least). Thirdly – and this one’s the big one – I’ve yet to see a Shrigley solo show I properly liked. Despite that tinge of dread I tried to stay hopeful. With my expectations low, surely a pleasant surprise was in order? Well, yes. And, more importantly, no…

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