Laughter and pain

Adel Abdessemed, Mémoire (still), 2012

I should have known from the start that there would be more to Adel Abdessemed’s Mémoire than was apparent at first glance. After all, his work is never quite as it seems and there is almost always a degree of violence and pain somewhere in the work. But watching Mémoire, my first response was laughter. This was a baboon spelling words out on an magnetic whiteboard. Maybe if I watched long enough it would start writing Shakespeare. Isn’t that what monkeys are meant to do given time?

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